Wed 20 Oct 2010
M. Night Shyamalan Can Kiss My Ass
Posted by autumnrouse under Book Review, Favorite Things, Musings
Comments Off on M. Night Shyamalan Can Kiss My Ass
If you haven’t seen The Sixth Sense, some of the ranting in this post won’t make sense. Even if you HAVE seen The Sixth Sense, it might not, but I feel like it has to be said: Somebody’s a Fuckin Thief. More on that later…
This book is actually composed of two novellas. The first is called Sabella: The Bloodstone and is a gothic sci-fi mystery romance. Sabella is the preternaturally beautiful and seductive focus of the tale. She narrates the course of her life in vignettes and outtakes slowly revealing that on her far space colony of Novo Mars, she is in fact one of the old inhabitants reborn; She’s a vampire.
It has it’s advantages, but she’s fairly paranoid all things considered. As she puts it “I’m a lady who’s past is all littered with dead gentlemen callers” She didn’t start out as a vampire, and what happened to her is part of the mystery, but she carries around a palpable sense of guilt for her feeding habits and tries in various ways to repent for her sins.
Ultimately she finds herself with a nemesis, Jace. He’s hot on her trail and seems to have a good idea of what she’s been up to. Jace is determined to make her answer for her actions. As she runs away from her pursuer, she runs toward the remnants of the Christian faith, imported from Earth. She finds herself sitting in a church whispering in Latin
De profundus clamave. Ad te domine. Domine exaude voca meam
Out of the depths oh, lord I have cried to you. Hear my voice.*
When Jace finally catches her, he does not punish her as she expects, but shows her a truth that sets her free of her guilt and teaches her a new way to live. And rather than being based on religion, it’s all about sex. I’m for it.
The second novella is Kill The Dead
In this story Parl Dro is a famous exorcist who travels the landscape leaving his legend to grow as long as his shadow at dusk. His history is melancholy and mostly solitare, but when he does come into contact with other people, his energy and seventh sense tend to impact the course of events rather profoundly.
We begin on a hillside on the outskirts of a small village. When Parl comes down out of the mountains, he can sense the presence of the undead in a leaning house by the wayside. It happens that unlike in some cases, where his services are welcome and wanted, here the ghost in residence is there due to the conjuring of her still living witch-gifted sister. She was called back from the spirit world as means to assuage the guilt the still living sister Ciddy felt after she killed her sister Cilny in the first place. She’s a charming girl, really.
When Parl sends Ciddy on her way to the next world, Cilny is incensed and driven to a mad rage that no human means of revenge could ever satisfy. She goes to the length of drowning herself to exact the particular brand of retribution she has picked out for the ghost-killer.
Meanwhile, back in the village, Parl has made the acquaintance of one Mayal; a minstrel who’s skills mark him as singularly gifted, but leave him generally despised. He hopes to write a song which will make his fortune, and when he sees the famous Dro, he decides to follow him about and try to make a ballad from his exploits.
Less than thrilled with this addition to his journey, Parl attempts to leave Mayal behind more than once. Somehow though, Mayal manages to find him nevertheless. After he catches Parl up a second time, it become clear that not only is Mayal following him, so too is the vengeance bent Ciddy. Dro attempts to exorcise her in the customary manner, but for some reason fail to send her away entirely.
Worried that Ciddy has latched on to Mayal as a source of ongoing energy for her weird pseudo-life Parl keeps the minstrel with him to try and rid them both of her presence once and for all.
De profundus clamave. Ad te domine. Domine exaude voca meam
Out of the depths oh, lord I have cried to you. Hear my voice.
*This will be important for the ranting
**This too.
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